"The life of the arts, far from
being an interruption, a distraction, in the life of a nation, is very close to
the center of a nation's purpose...and is a test of the quality of a nation's
civilization."
"LOOK
Magazine Article 'The Arts in America' (552)" December 18, 1962,
Public Papers of the President: John F. Kennedy, 1962 (Inscribed at the Kennedy
Center for the Performing Arts).
The Kennedy Center, located on the banks of the Potomac
River near the Lincoln Memorial in Washington, D.C., opened to the public in
September 1971. But its roots date back to 1958, when President Dwight D.
Eisenhower signed bipartisan legislation creating a National Cultural Center.
To honor Eisenhower's vision for such a facility, one of the Kennedy Center's
theaters is named for him.
The National Cultural Center Act included four basic
components: it authorized the Center's construction, spelled out an artistic
mandate to present a wide variety of both classical and contemporary
performances, specified an educational mission for the Center, and stated that
the Center was to be an independent facility, self-sustaining and privately
funded.
As a result of this last stipulation, a mammoth fundraising campaign
began immediately following the Act's passage into law.
President John F. Kennedy was a lifelong supporter
and advocate of the arts, and frequently steered the public discourse toward
what he called "our contribution to the human spirit." Kennedy took
the lead in raising funds for the new National Cultural Center, holding special
White House luncheons and receptions, appointing his wife Jacqueline and Mrs.
Eisenhower as honorary co-chairwomen, and in other ways placing the prestige of
his office firmly behind the endeavor. [The John Fitzgerald
Kennedy Library and Museum, Boston, Massachusetts]
President Kennedy also attracted to the project the
man who would become the Center's guiding light for nearly three decades. By
the time Kennedy appointed him as chairman of the Center in 1961, Roger L.
Stevens had already achieved spectacular success in real estate (i.e.
negotiating the sale of the Empire State Building in 1951), politics,
fundraising, and the arts; as a theatrical producer, he had brought West Side
Story, A Man for All Seasons, and Bus Stop to the stage.
Over the next 30
years, Stevens would oversee the Center's construction, then would shepherd it
to prominence as a crucible for the best in music, dance, and theater.
It is a shame that while the “arts”
should be made available to everyone, middle class and below families cannot
afford the price of admission to the Kennedy Center as it has become another shameful domain of the wealthy.
And,
in this author’s opinion, is not indicative of what Kennedy’s quote meant…
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