It's too tedious to list all Sir Paul (age 71) has
done in the past five years, but let's pick some highlights: two trips to the
White House for prizes (Gershwin Prize for Popular Song, Kennedy Center Honor),
off to Paris to get the Légion d'Honneur from François Hollande, in 2008 for
Outstanding Contribution to Music and, last year, the MusiCares Person of the
Year award.
It's noticeable, though, that his recent accolades
have tended to come from outside Britain. Abroad he is revered: one recent
Italian review described going to a McCartney concert as being on a cultural
par with visiting the Louvre.
New is his first LP of original songs since 2007's Memory Almost Full
and is a sparky, upbeat piece of work. Several tracks have a Beatles feel,
including the single, also called "New". The big news – for music
buffs, though I'm not sure how much most listeners will care – is that there
are four producers.
They are Paul Epworth, who produced Adele's 21; Mark
Ronson, known for his work with Amy Winehouse; Ethan Johns, an acoustic, folky
musician who is Laura Marling's producer; and Giles Martin, who worked on the
Beatles's awful Cirque du Soleil show in Vegas (still running; a naff-a-mungo
cash pumper).
Johns and Martin have an intergenerational
connection to McCartney: Johns is the son of Glyn Johns, who was hired to do
production work with Wings but walked out, and Martin's father is Sir George
Martin, the Beatles producer.
Starting in 1960, the Beatles built their reputation
playing clubs in Liverpool and Hamburg
over a three-year period. Manager Brian
Epstein molded them into a professional act and producer George
Martin enhanced their musical potential.
They gained popularity in the United Kingdom after
their first modest hit, "Love
Me Do", in late 1962. They acquired the nickname the
"Fab Four" as Beatlemania grew in Britain over the following year,
and by early 1964 they had become international stars, leading the "British
Invasion" of the United States pop market.
From 1965 on, the Beatles produced what many critics
consider their finest material, including the innovative and widely influential
albums Rubber Soul (1965), Revolver
(1966), Sgt Pepper's Lonely
Hearts Club Band (1967), The Beatles
(1968), and Abbey Road (1969).
After their break-up
in 1970, they each enjoyed successful musical careers. Lennon was shot and killed
in December 1980, and Harrison died of lung cancer in November 2001.
When
I’m 64 Lyrics
When I get older losing my hair,
Many years from now,
Will you still be sending me a valentine
Birthday greetings bottle of wine?
If I'd been out till quarter to three
Would you lock the door,
Will you still need me, will you still feed me,
When I'm sixty-four?
oo oo oo oo oo oo oo oooo
You'll be older too, (ah ah ah ah ah)
And if you say the word,
I could stay with you.
I could be handy mending a fuse
When your lights have gone.
You can knit a sweater by the fireside
Sunday mornings go for a ride.
Doing the garden, digging the weeds,
Who could ask for more?
Will you still need me, will you still feed me,
When I'm sixty-four?
Every summer we can rent a cottage
In the Isle of Wight, if it's not too dear
We shall scrimp and save
Grandchildren on your knee
Vera, Chuck, and Dave
Send me a postcard, drop me a line,
Stating point of view.
Indicate precisely what you mean to say
Yours sincerely, Wasting Away.
Give me your answer, fill in a form
Mine for evermore
Will you still need me, will you still feed me,
When I'm sixty-four?
Whoo!
No comments:
Post a Comment